Bruno Taut, Dandanah. The Fairy Place (Glasbauspiel) , 1919 - 1920
Taut’s colored glass blocks recalled in microcosm the prismatic form of his Glass House pavilion at the 1914 Werkbund exhibition in Cologne. They allowed children to build free of real-world constraints, relying instead on imagination and artistic intuition. The simple shapes could be reconfigured endlessly (the set came with six colored sheets showing a variety of assemblages), and this malleability fit with Taut’s conception of the new spirit in architecture as dynamic and mobile. The small set is a form of PlayArt.